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aqua ּ piano ּ aerial |
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Order Reference: |
EWR 0301 |
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Medium: |
CD |
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Composer: |
Makiko Nishikaze |
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Performer: |
Makiko Nishikaze, Piano |
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“Sanctuary.“ Whenever I
spoke with Makiko Nishikaze, this word played an important role. |
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To me, it seems typical of our culture
that our language cannot really express what she means when she uses this
word. We have a sanctuary for birds. There is also a convention, whereby no
one should be arrested when they are sheltered by the church. But the protection of a center within
ourselves, where thinking and acting, necessity and freedom, feeling, longing
and doing, meet. – We, in the West, don’t have a concept for that. At the
same time this center is so easily lost:
through the demands we think we have to make on ourselves; through
others, who think they are allowed to make demands on us; through our
dedication to tasks that make us lose contact with ourselves. |
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The first time I heard Makiko
Nishikaze talk about her music, she compared the process of composing to a
river, finding its way. Whenever she
comes upon a new sound, she goes back in her mind once more to the very
beginning of the composition, and then traces its course forward to that
point. Arriving at a new tone, she
asks it whether it likes the place it is in. If not, she takes it away, and
tries to find a new way for the piece to flow. |
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One can imagine how much time it takes
to write a piece that lasts about an hour. |
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However, the flow of her music is as
inevitable as water flowing downwards. It is as if it flows through a center,
that is constantly changing its location, in view of the many questions and
tensions that arise, and which has to be searched for and found, again and
again. |
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Doris Kösterke |
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