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Maderna, von Schweinitz,
Beuger, Stiegler |
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Order Reference: |
EWR 9606 |
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Medium: |
CD |
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Composers: |
Violine
Beuger / Maderna / Stiegler / von Schweinitz |
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Performers: |
Clemens
Merkel, |
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For Wolfgang von Schweinitz composing grows out of a strong wish ,,to
fight his way into song." This desire is already governing his early ,,Sonata
for Violin Solo", wriften in 1978.The reacquaintance with this
piece, which had only been played once before, was a happy event for Wolfgang
von Schweinitz. ,,Although stylistically I have gone a very different
direction, it was fascinating for me to see that what I am seeking now was
already guiding my work at that time. Clemens Merkel has not only reanimated
the piece, in his interpretation he has found its true tempo, and its own
space and time." |
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In Bruno Madernas case, music seems to spring from the realm of dance.
Dance suggests freedom: lightness wrested from gravity. Madernas ,,Pièce
pour lvry" sings and dances in a stunningly light and delicate way.
lt is music of a most immediate pulse. A music of the skin. A music of the
surface and of the air. |
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,,Unwritten Page" by Antoine Beuger is dedicated to the
American painter Agnes Martin. lt is a music of individual sounds: a very
slow and aimless wandering, and then, once and awhile, a pause. |
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In his cycle ,,Kammerkomplex" (,,quasi una fantasia",
"gran partita" and ,,sonata facile"), Thomas
Stiegler approaches the instrument as if discovered for the first time. ,,If
you conceive of the instrument as a Iandscape," the composer says, ,,you
find yourself confronted with a given infrastructure, a texture of possible
routes: some predictable, some bumpy and some wildly overgrown." In this
landscape the pieces, as it were, explore various routes, learning the way as
they go. |
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