ew 08 : Michael Pisaro
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Werk-Nr: |
Titel: |
Besetzung: |
Jahr: |
Lδnge: |
Preis: |
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|
ew08.001 |
leaves |
V,Git |
1994 |
36'-43' |
20,20
|
|
|
ew08.002 |
page |
2V,Va,Vc |
1994 |
27' |
17,20
|
|
|
ew08.003 |
word |
4 Stimmen (S,A,T,B) |
1994 |
30'- 120' |
53,90
|
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|
ew08.004 |
breath |
Sax-A |
1994 |
20'-ca. 120' |
89,90
|
|
|
ew08.005 |
Akasa |
Klav |
1994 |
11' |
5,20 |
|
|
ew08.006 |
space |
Publikum |
1994 |
30' |
3,70 |
|
|
ew08.006a |
space (2)/page |
Publikum |
1997 |
30' |
3,70 |
|
|
ew08.007 |
The Line |
2 Euph,2Tuba (F and C) |
1995 |
10' |
9,00 |
|
|
ew08.008 |
bow |
3V |
1995 |
var |
31,50
|
|
|
ew08.009 |
293.3 |
2 oder mehr Musiker,Tonb. ad lib |
1995 |
var |
47,90
|
|
|
ew08.011 |
mind is moving Nr.1 |
Git |
1996 |
75' |
34,50
|
|
|
ew08.012 |
mind is moving Nr.2 |
V |
1996 |
25'- 91' |
9,70 |
|
|
ew08.013 |
mind is moving Nr.3 |
Vc |
1996 |
71' |
8,20 |
|
|
ew08.014 |
mind is moving Nr.4 |
KB |
1996 |
30'-60' |
10,50
|
|
|
ew08.015 |
mind is moving Nr.5 |
Vla |
1996 |
20'- 53'20'' |
6,70 |
|
|
ew08.016 |
mind is moving Nr.6 |
Spr |
1996 |
9'-120' |
12,70
|
|
|
ew08.017 |
mind is moving Nr.7 fuer oboe |
Ob |
1996 |
22'- 96'40'' |
4,50 |
|
|
ew08.018 |
mind is moving Nr.8 fuer trompete |
Trp |
1996 |
26'40''- 53'20'' |
4,50 |
|
|
ew08.019 |
clouds |
Orch |
1996 |
12' |
7,90 |
|
|
ew08.020 |
everyday |
var |
1996 |
30'-120' |
12,00
|
|
|
ew08.021 |
a certain species of eternity |
1Ausf |
1996 |
var |
3,70 |
|
|
ew08.022 |
untitled |
Spr,Fl,Akk,Vib |
1997 |
34' |
16,50
|
|
|
ew08.023 |
here 1 |
Git |
1995 |
32'36''- 65'12'' |
4,50 |
|
|
ew08.024 |
here 2/1 |
Fl,Akk |
1996 |
18' |
6,00 |
|
|
ew08.025 |
here 2/2 |
Sax-Bar,Tape |
1996 |
20'40'' |
4,50 |
|
|
ew08.026 |
here 2/3 |
2Klav |
1996 |
22'36- 45'44'' |
6,70 |
|
|
ew08.027 |
here 3 |
Ob,V,Vc |
1996 |
27'30'' |
15,00
|
|
|
ew08.027a |
here (3): coda |
Ob,V,Vc |
2001 |
31'20'' |
3,70 |
|
|
ew08.028 |
here 4/1 |
V,2Va,Vc |
1996/97 |
18'-180' |
33,00
|
|
|
ew08.029 |
here 4/2 |
S,A,T,B (4 Sti) |
1997 |
58'24'' |
13,50
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|
ew08.030 |
here 5 |
Ob,Klar,Fg,Fl,Hn |
1997 |
40' |
10,50
|
|
|
ew08.031 |
distance Nr.1 fuer 1-4 klaviere |
1-4 Klav |
1996/97 |
40'-320' |
87,60
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|
|
ew08.032 |
distance (1) fuer klavier |
1Klav |
1996 |
9'30'' |
3,70 |
|
|
ew08.033 |
distance (2) fuer 2 klaviere |
2KLav |
1996 |
6'40'' |
3,70 |
|
|
ew08.034 |
distance (3) fuer 3 klaviere |
3Klav |
1997 |
10'-50' |
4,50 |
|
|
ew08.035 |
distance (4) fuer 4 Klaviere |
4Klav |
1997 |
9'20'' |
3,70 |
|
|
ew08.036 |
distance (II) |
V,2Va,Vc |
1997 |
10'-80' |
26,20
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|
|
ew08.037 |
distance (III)
|
Fl-A,Klar,Hn,Fg |
1996 |
8'30'' |
16,50
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|
|
ew08.038 |
within Nr.1 fuer floete |
Fl |
1996 |
10'-90' |
6,00 |
|
|
ew08.039 |
within Nr.2 fuer violoncello |
Vc |
1996 |
10'-90' |
6,00 |
|
|
ew08.040 |
within Nr.3 fuer gitarre |
Git |
1997 |
10'-90' |
6,00 |
|
|
ew08.041 |
within Nr.4 fuer akkordeon |
Akk |
1997 |
10'-90' |
6,00 |
|
|
ew08.042 |
within Nr.5 fuer posaune |
Pos |
1997 |
10'-90' |
6,00 |
|
|
ew08.043 |
guitar event |
Git |
1997 |
10' |
3,70 |
|
|
ew08.044 |
walking, standing |
Fl |
1997 |
20'-71' |
10,50
|
|
|
ew08.045 |
braids |
stiller Leser |
1997 |
30' |
24,00
|
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|
ew08.046 |
oboe event |
Ob |
1998 |
10' |
3,70 |
|
|
ew08.047 |
within Nr.6 fuer klarinette |
Klar |
1998 |
10'-90' |
6,00 |
|
|
ew08.048 |
time, presence, movement |
var, aus:
Fl/Hn/Klar-B/Pos/Git/Klav/Tr-B/V/Va/Vc |
1997 |
70' |
3,70 |
|
|
ew08.048a |
time, presence, movement |
Fl |
1997 |
70' |
12,00
|
|
|
ew08.048b |
time, presence, movement |
Hn |
1997 |
70' |
12,00
|
|
|
ew08.048c |
time, presence, movement |
Klar-B |
1997 |
70' |
12,00
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|
|
ew08.048d |
time, presence, movement |
Pos |
1997 |
70' |
12,00
|
|
|
ew08.048e |
time, presence, movement |
Git |
1997 |
70' |
12,00
|
|
|
ew08.048f |
time, presence, movement |
Klav |
1997 |
70' |
12,00
|
|
|
ew08.048g |
time, presence, movement |
Tr-B |
1997 |
70' |
12,00
|
|
|
ew08.048h |
time, presence, movement |
V |
1997 |
70' |
12,00
|
|
|
ew08.048i |
time, presence, movement |
Va |
1997 |
70' |
12,00
|
|
|
ew08.048j |
time, presence, movement |
Vc |
1997 |
70' |
12,00
|
|
|
ew08.049 |
one sound |
2Tr-B |
1997 |
15'-70' |
3,70 |
|
|
ew08.050 |
this and that |
2Ob |
1997 |
20' |
3,70 |
|
|
ew08.051 |
zwischen |
2V |
1998 |
20' |
4,50 |
|
|
ew08.052 |
appearance Nr.1 |
1Instr mit gehaltenen Tφnen |
1998 |
55' |
6,00 |
|
|
ew08.053 |
appearance Nr.2 |
2Instr |
1998 |
55' |
7,50 |
|
|
ew08.054 |
encounter Nr.1 |
4Instr |
1998 |
40' |
3,70 |
|
|
ew08.055 |
encounter Nr.2 |
Fl,Schlgz,Klav,2V,Va,Vc |
1998 |
60' |
6,00 |
|
|
ew08.056 |
encounter Nr.3 |
4Musiker |
1998 |
40' |
3,70 |
|
|
ew08.057 |
pi (1-2594) - fifteen pieces for piano |
Klav |
1998 |
5'-54' |
25,50
|
|
|
ew08.058 |
five worlds |
Orch |
1998 |
min 20' |
41,60
|
|
|
ew08.059 |
a little thing |
1Ausf |
1998 |
10' |
3,70 |
|
|
ew08.060 |
two persons |
2Ausf |
1998 |
12' |
6,00 |
|
|
ew08.061 |
Dιrive |
Ch |
1998 |
var |
3,70 |
|
|
ew08.062 |
Diminishing Time |
1Ausf |
1999/2000 |
var |
3,70 |
|
|
ew08.063 |
Cycling Time |
1Ausf |
1999 |
var |
3,70 |
|
|
ew08.064 |
Straightening Time/Curving Time |
1Ausf |
1999/2000 |
51' |
14,20
|
|
|
ew08.065 |
4 messages |
2Ausf |
1999 |
4x55' |
3,70 |
|
|
ew08.066 |
Unvoiced |
2Vc |
2000 |
55' |
8,20 |
|
|
ew08.067 |
Salamander, chrysallis, fire |
Ob,V,Va,Vc |
2000 |
18' |
6,00 |
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ew08.068 |
For
Carrie Biolo: |
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3,70 |
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Divided into silences |
Schlgz |
2000 |
25' |
|
|
|
Was was and
is |
1Ausf |
2000 |
Var |
||
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|
ew08.069 |
Perception: |
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|
3,70 |
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Perception 1 |
1Instr mit gehaltenen Tφnen |
2000 |
Var |
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Perception 2 |
1Instr mit gehaltenen Tφnen |
2000 |
Var |
||
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Perception 3 |
1Instr |
2000 |
Var |
||
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Perception 4 |
2Ausf |
2000 |
Var |
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|
ew08.070 |
For
Mauser: |
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|
3,70 |
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Wenig |
Git |
2000 |
Var |
|
|
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Das Harte unterliegt |
Git |
2000 |
Var |
||
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|
ew08.071 |
For
Gerhard and Kunsu: |
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|
3,70 |
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Rolling |
1Ausf |
2000 |
55' |
|
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A little Dance |
3Ausf |
2000 |
5' |
||
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|
ew08.072 |
The Collection |
Kammerens,var |
1999/2000 |
Var |
19,50
|
|
|
ew08.073 |
Dιrive (2) |
1Ausf |
1999 |
17' |
3,70 |
|
|
ew08.074 |
ab da |
Sti, 2
od. 4 Instr |
1999 |
20' |
3,70 |
|
|
ew08.075 |
fade |
Klav |
2000 |
20' |
6,00 |
|
|
ew08.076 |
A moment |
Schlgz |
2000 |
var. |
3,70 |
|
|
ew08.077 |
Exchange |
2V |
2000 |
84'-169' |
6,70 |
|
|
ew08.078 |
unsicher, sanft und ohne Ungeduld |
Pos,Vc |
2000 |
54' |
9,70 |
|
|
ew08.079 |
All clocks are
clouds |
Fl,Klar,Klar-B,Pos,Mar,Vib,Hfe,
Klav,2V,Va,Vc |
2000 |
17' |
10,50
|
|
|
ew08.080 |
Boswell |
Fl,Klar,Git,Klav |
2000 |
48' |
11,20
|
|
|
ew08.081 |
A Sea of Ptyx |
Mar,Git |
2001 |
25' |
9,00 |
|
|
ew08.082 |
Woolflowers |
Sti(Mez),Fl,Klar/Ob,Schlgz,Git |
2001 |
55' |
5,20 |
|
|
ew08.083 |
avant, avec, aprθs |
Fl,Schlgz |
2001 |
60'-90' |
3,70 |
|
|
ew08.084 |
With Pim |
V,Vc |
2001 |
3 x 30" / 10' |
3,70 |
|
|
ew08.085 |
Turning |
Klar (od. Klar-B),Schlgz |
2001 |
15' |
4,50 |
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|
ew08.086 |
eyelet (1) |
|
2001/2 |
|
6,70 |
|
|
moon, clouds |
21Str |
26'40'' |
|||
|
|
22 degrees |
Picc,Ob,Trp,Schlgz,Sinuston,21Str |
26'40'' |
|||
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ew08.087 |
void atween |
Klar,V,2Vc |
2001 |
62'30" |
6,70 |
|
|
ew08.088 |
The edges, the center |
Fl,V,Klav |
2001 |
30' |
3,70 |
|
|
ew08.089 |
floating, drifting |
Klav |
2001 |
30' |
3,70 |
|
|
ew08.090 |
Archives of silence |
2Fl,2Ob,2Klar,2Trp,2Hn,2Pos,V |
2000/2 |
Var |
93,60
|
|
|
ew08.091 |
eyelet (2) |
2Spr,Vc,Sinuston,Radio, |
2002 |
88' |
19,50
|
|
|
|
|
Gerδusche,Git/Klav,Klar,Mar |
|
|
0,00 |
|
|
ew08.092 |
Transparence |
Fl,Klar,Pos,Schlgz,Klav,V |
2002 |
60' |
15,00
|
|
|
ew08.093 |
avιrer local |
Klar,Schlgz |
2002 |
70' |
5,20 |
|
|
ew08.094 |
tranquility |
Fl,Klar,V,Va,Vc,Klav,Schlgz |
2002 |
24' |
3,70 |
|
|
ew08.095 |
imagine something there |
Fl,Klar,Pos,Schlgz,2V,Va,Vc, Sinuston,Tonband(Stimme),
Textprojektion |
2002 |
57'40'' |
3,70 |
|
|
ew08.096 |
Unter Eichen |
Git-E |
2003 |
25' |
3,70 |
|
|
ew08.097 |
80 flowers |
Fl,Va,Schlgz |
2003 |
80x2'40" |
62,90
|
|
|
ew08.098 |
80 constellations |
Fl,Va,Klav |
2003 |
80x2'40" |
in Vorb. |
|
|
ew08.099 |
an unrhymed chord |
Var |
2003 |
65' |
3,70 |
|
|
ew08.100 |
twelve gardens |
Fl,Fl-B,Klar,Klar-B,Hn,Klav,Vib,Git-E,V,Va,Vc,KB |
2003 |
25' |
11,20
|
|
|
ew08.101 |
Tag und Nacht sind zwei Jahre |
Spr,Schlgz,Git |
2003 |
60' |
0,00 |
|
|
ew08.102 |
rapport abstrait |
2Git-E |
2003 |
30' |
0,00 |
|
|
ew08.103 |
ruines vrai refuges
(composed silence) |
Fl,Klar,V,Muha |
2003 |
15' |
3,70 |
|
|
ew08.104 |
interference (1) |
Vc,Git-E,Electr,Plattenspieler |
2004 |
54' |
3,70 |
|
|
ew08.105 |
figment light |
Fl,Klar,Mar,Muha,V,Vc |
2004 |
54'30" |
47,20
|
|
|
ew08.106 |
black, white, red, green, blue |
Git-E |
2004 |
55' |
3,70 |
|
|
ew08.107 |
feuerwind, windwasser |
Muha |
2004 |
65' |
14,20
|
|
|
ew08.108a |
ricefall |
16Ausf |
2004 |
18' |
15,70
|
|
|
ew08.108b |
ricefall (2) |
16Ausf |
2007 |
72' |
6,00 |
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pieces on texts
by francis ponge |
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|
ew08.109a |
bread |
Spr,2Holzblδser,Klav,Vib |
2004 |
35' |
7,50 |
|
|
ew08.109b |
moss |
Spr,2Holzblδser,Klav,Vib |
2004 |
35' |
7,50 |
|
|
ew08.109c |
rain |
Spr,2Holzblδser,Klav,Vib |
2004 |
35' |
9,00 |
|
|
ew08.109d |
the crate |
Spr,2Holzblδser,Klav,Vib |
2004 |
35' |
6,00 |
|
|
ew08.109e |
the oyster |
Spr,2Holzblδser,Klav,Vib |
2004 |
35' |
7,50 |
|
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||||||
|
|
harmony series |
complete: |
36,70
|
|||
|
|
ew08.110.1 |
Sometimes |
4Instr |
2004 |
15'-69' |
5,20 |
|
|
ew08.110.2 |
Ample |
2Instr |
2004 |
12' |
3,70 |
|
|
ew08.110.3 |
Zeit werden |
4Instr |
2004 |
32' |
3,70 |
|
|
ew08.110.4 |
My mind is drifting |
3-6Instr |
2005 |
45'-60' |
3,70 |
|
|
ew08.110.5 |
Now |
2Instr |
2005 |
25' |
3,70 |
|
|
ew08.110.6 |
So little to
do |
mind. 6 Instr |
2005 |
40' |
3,70 |
|
|
ew08.110.8b |
rκve |
2Instr |
2005 |
4' |
3,70 |
|
|
ew08.110.8c |
pas |
2Instr |
2005 |
5' |
3,70 |
|
|
ew08.110.8e |
irais, serais, dirais |
2Instr |
2005 |
5' |
3,70 |
|
|
ew08.110.8d |
la voix qui
dit |
2Instr |
2005 |
5' |
3,70 |
|
|
ew08.110.8a |
flux |
2Instr |
2005 |
3' |
3,70 |
|
|
ew08.110.11a |
zwei finger im abgrund |
3Instr |
2005 |
2' |
3,70 |
|
|
ew08.11011.b |
wie jener am pindar |
3Instr |
2005 |
3' |
3,70 |
|
|
ew08.110.11c |
sonnenfern |
3Instr |
2005 |
2' |
3,70 |
|
|
ew08.110.11d |
unlesbarkeit |
3Instr |
2005 |
2' |
3,70 |
|
|
ew08.110.12a |
is |
2Instr |
2005 |
40' |
3,70 |
|
|
ew08.110.12b |
the heart of the city |
2Instr |
2005 |
25' |
3,70 |
|
|
ew08.110.12c |
every night |
2Instr |
2005 |
25' |
3,70 |
|
|
ew08.110.12d |
the best thing |
2Instr |
2005 |
35' |
3,70 |
|
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|
|
reading spinoza |
|||||
|
|
ew08.112d |
Reading Spinoza (V) |
Spr,Klav |
2002-04 |
240' |
66,70
|
|
|
||||||
|
|
ew08.113 |
interference (2) |
Spr,1Str od. Bl, 1Akkordinstr,Elektr |
2002/05 |
20' |
3,70 |
|
|
ew08.114 |
hinwandeln
(zwischen himmel und erd) |
3Instr |
2005 |
|
16,50
|
|
|
ew08.115 |
violin and __ materials |
V |
2005 |
var |
3,70 |
|
|
ew08.116 |
for bill karlins |
V,Klav |
2006 |
6' |
3,70 |
|
|
||||||
|
|
the decomposition
of the real |
|||||
|
|
ew08.117a |
I |
3-6V |
2005 |
10' |
17,20
|
|
|
ew08.117b |
II |
Va,Klav |
2006 |
20' |
4,50 |
|
|
ew08.117c |
III |
6Vc |
2006-09 |
10' |
in Vorb. |
|
|
ew08.117d |
IV |
5-10V |
2006/07 |
70' |
in Vorb. |
|
|
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|
|
ew08.118a |
transparent city 1 - 24 |
Elektr |
2004-06 |
je 10' |
|
|
|
ew08.118b |
transparent city (2) |
Var |
2009 |
|
3,70 |
|
|
ew08.119 |
tombstones 1 - 6 |
Sti,Instr |
2006- |
|
14,20
|
|
|
||||||
|
|
entre-moments |
27,00
|
||||
|
|
ew08.120a |
topographies (10 trios) |
3Instr |
2006 |
300' |
|
|
|
ew08.120b |
constellations (10 pieces for tone
generators) |
Elektr |
2006 |
300' |
|
|
|
ew08.120c |
the earth and the sky (10 pieces for
piano) |
Klav |
2006 |
300' |
|
|
|
||||||
|
|
ew08.121 |
a room outdoors |
Instr,Harm,CD |
2006 |
|
6,00 |
|
|
ew08.122 |
pianos in
the field |
4Klav,6Lautsprecher |
2007 |
53' |
7,50 |
|
|
ew08.123 |
a few grains of sand |
Spr,11Instr |
2007 |
15' |
4,50 |
|
|
||||||
|
|
ascending series |
|||||
|
|
ew08.124.1 |
ascending series 1 |
CD,Var |
2007 |
10 x 30' |
3,70 |
|
|
ew08.124.2.1 |
ascending series 2 |
Fl,Klar,Git-E,Pos,Vc |
2008 |
10' |
4,50 |
|
|
ew08.124.2.2 |
ascending series 2.2 |
Fl,V,Va,Vc,Schlgz |
2009 |
10' |
3,70 |
|
|
ew08.124.3 |
ascending series 3 |
Var |
2008 |
300'-480' |
7,50 |
|
|
ew08.124.4 |
ascending series 4 (free ascent) |
Var |
2008 |
30' |
3,70 |
|
|
ew08.124.5 |
ascending series 5 |
1-100 Instr |
2009 |
44' |
7,50 |
|
|
ew08.124.6 |
ascending series 6 |
Pos,Git-E,Sinustφne |
2009 |
38' |
3,70 |
|
|
ew08.124.7 |
ascending series 7 (evaporation) |
7Str,Elektr |
2009/10 |
33'30'' |
4,50 |
|
|
||||||
|
|
ew18.125a |
lucretius monody |
S |
2008/09 |
20' |
6,70 |
|
|
ew18.125b |
lucretius counterpoint |
6Sti,Fl,Vc,Schlgz |
2007 |
25' |
11,20
|
|
|
ew18.126 |
melody series (aarau) |
Klar,Vc,CD |
2007 |
30'/60'/90'.. |
3,70 |
|
|
ew18.127 |
crossing series (canyons) |
Instr,Pfeifen,CD |
2007 |
55' |
3,70 |
|
|
ew18.128a |
a wave and
waves |
100 Schlaginstrumente (aufgenommen) |
2007 |
74' |
6,70 |
|
|
ew18.128b |
a wave and
waves |
5Instr |
2010 |
74' |
9,70 |
|
|
ew18.129 |
nachtstimmung |
12Ausf |
2007 |
90' |
65,90
|
|
|
ew18.130 |
chords, partially obscured |
Klar,Va,Vc,Harm,Git-E,Elektr |
2008 |
15' |
5,20 |
|
|
ew18.131 |
EI fora |
Git-E,Harm |
2008 |
12' |
4,50 |
|
|
ew18.132 |
20 songs / le clavecin
des prιs |
S,Orch |
2008 |
25' |
21,00
|
|
|
||||||
|
|
fields have ears |
|||||
|
|
ew18.133a |
fields have ears (1) |
Klav,4Kanal-Zuspielung |
2008 |
20' |
6,00 |
|
|
ew08.133b |
fields have ears (2) |
Klav,6Ausf |
2009 |
30'-60' |
15,70
|
|
|
ew08.133c |
fields have ears (3) |
Klav,KB,Elektr,Objekte,CD's |
2009 |
|
6,00 |
|
|
ew08.133d |
fields have ears (4) |
4Instr |
2009 |
27'40'' |
3,70 |
|
|
ew08.133e |
fields have ears (5) (vapor) |
Fl,Klar-B,Schlgz,Vc,Klav |
2009/10 |
33'30'' |
5,20 |
|
|
||||||
|
|
ew18.134 |
hearing metal 1 |
CD (Tamtam+Elektronik) |
2008 |
64' |
4,50 |
|
|
ew18.135 |
four pieces for recorded
percussion (il faut attendre) |
CD |
2008 |
80' |
24,00
|
|
|
ew18.136 |
two stones |
1-4Ausf |
2008 |
40' |
3,70 |
|
|
ew18.137a |
asleep, river, bells, chords |
Ens,CD,Elektr |
2009 |
34' |
3,70 |
|
|
ew18.137b |
asleep, street, pipes, tones |
Git-E,Klar-B,Elektr |
2009 |
70' |
in Vorb. |
|
|
ew18.138 |
july mountain |
CD,Schlgz |
2009 |
21' |
6,00 |
|
|
ew18.039 |
silently on the forest path |
Va,Vc |
2007 |
14' |
3,70 |